Pre-owned book. Damage on the outer box. Good aging condition.
size : 217×154mm 2books in a box
Volume 1: 325pages Volume 2 :159pages
An catalogue raisonne of the exhibition that examines and introduces the tumultuous postwar period centering on the 'unique avant-garde' Sofu Teshigawara, interweaving together the various works of Sofu Teshigawara, the first head of the Sogetsuryu school, as well as the collection of domestic and international art and related materials and photographs.
Volume 1 Contents Page 325
Greetings
Seiji Oshima in Creative Chaos
Time to find Sofu Akane TESHIGAHARA Akane
Introduction: Planning structure and content
List of Exhibits
Part 1: Sofu Works and Sofu Collection
Chapter I Avant-garde Ikebana Exercise: Is this Ikebana?
Column 1: 'Emerging Ikebana Declaration' by Mitsuzuru MORISHIGE (1933)
Column 2: Beginners' Ikebana by artists
Chapter II The spirit of experimentation in modern art: scorched earth and scrap iron sculpture.
Column 3: Picasso Praise: See 'Guernica' in New York
Chapter III "APN" and experimental workshop: structural works and photographs
Column 4 Interest in photography Photo collage of Sofu's photography
Chapter IV a feast of organic sculpture, a surreal world
Column 5 Surrealist friendship, visit to Kadakez's Dali residence
Chapter V Original scenery of creation 1 Obsessed with objects
Column 6 A special technique sculptural block of wood is wrapped in a metal plate
Chapter VI possessed by the expressionistic and abstract Anformel
Column 7 Machiu and Sam's Mural Painting Old Sogetsu Hall
Chapter VII with childlike eyes and hands playing collage
Column 8 Gather to a Matisse and put flowers in a collage
Chapter VIII Between Japanese Beauty Rediscovery Tradition and Reform
Column 9 Adoration and Belief of Tessai Sensei Tomioka Tessai
Chapter IX Original Scenery of Creation 2: Obsessed with Fuji
Column 10 Play, compose, tell and draw on Fuji
Chapter X Giant Sculpture and Osho Installation
Column 11: Giant ikebana 'Maten' (30 cm high) at the Ise Shrine
Chapter 11: Collaboration: A Cultural Climate Named Sogetsu
Column 12 "Sogetsu," "Ikebana Sogetsu" and other Sogetsu newspapers
Column 13 Activities of Sogetsu Art Center (SAC)
Column 14 Presenting works abroad (major solo and group exhibitions)
Part 2: 22 Chapters About Sofu and Ages
Restored literature
Conversations, flower arrangement and objects (1938, excerpts) Sofu Teshigawara, Ichiro Fukuzawa
Discovery of Objects (1953) Shuzo Takiguchi
Gorgeous, powerful attire and abstraction (1953) Saburo Hasegawa
Shaping or Living Art? (1955) Ichiro Hariu
Ikebana to Zokei Geijutsu (1957) Shuzo Takiguchi
An Encounter (circa 1959) by Michel Tapier
Sofu no Kyokai (The Space of Sofu) (circa 1959) by Soichi TOMINAGA
Modern sculpture attempted by Sofu Teshigawara (1963) by Yusuke Nakahara
Sculpture by Sofu Teshigawara (1967) Atsuo Imaizumi
About the Artist Sofu Teshigawara (1977) Isamu Noguchi
A carried away melancholy (1979) by Taro Okamoto
Sofu in Contemporary Art (1979) by Horiichiro
Writing Down
"Abstraction and Illusion" Revisited by Soufu's Object Ikebana: Toru Matsumoto (1983)
Aki Fujii's Attitude Regarding the Association for Art and Culture and Participation in the 11 Sogetsuryu Exhibition (1951)
Co-produced by "APN" Sofu's scrap metal Assambrage and photos of Kiyoshi Otsuji Miwako Tezuka
"A certain meeting" Sofu Teshigawara and Michelle Tapie Mizuho Kato
TESHIGAHARA Sofu Kazuo Amano, seen from lines, lumps and calligraphy
Hitoshi Idehara in the process of the overseas expansion of Japanese art after the war and the artistry of Sofu's Ikebana
Architecture and Sofu Sanbancho Sogetsuryu Kodo Hall and Akasaka Kyusogetsuru Kaikan: New Space and Environment by Naoyuki Takashima
The Origins of Ikebana Writers Sofu Teshigawara and Yukio Nakagawa: Chizuru Kawanami on the collection of works in the age of avant-garde Ikebana
Sofu Teshigawara and Motoshi Masaki, Media
Volume 2 Contents Page 159
Exhibition and Venue Records
Who was Sofu? The Sofu as a Phenomenon and Its Time Etsuko Sugiyama
Kanankan Kanka Teshigawara Sofu's work and space Naotoshi Noda
PART III: MATERIALS
RECORDING SOFU'S WRITING
Emerging Japanese Ikebana (Written in 1935 and published in 1937)
Night Fish (1942)
Jutsu to Do (1948)
Sogetsukai's assertion (1956)
Coincidence (1963)
Kojiki (1966)
Ikebana with vases, creative vases and various new materials (1966, excerpts)
Sogetsu's new forms, new sculptures and objects (1966, excerpts)
Related Chronological List: Mochi Endo, Riju Nakajima, ed.
Sofu and the Portrait of Sofu Emerging from the Chronology of His Time, and Showa Endo Nozomi
Bibliography: Compiled by Riju Nakajima
Sofu TESHIGAHARA: Organize a bibliography and Riju NAKAJIMA
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