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Medal Claude Patio Composer Opera Operetta Ubu King Mr de La Vijay P

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Seller: artistic.medal ✉️ (4,947) 100%, Location: Strasbourg, FR, Ships to: WORLDWIDE, Item: 186389674771 Medal Claude Patio Composer Opera Operetta Ubu King Mr de La Vijay P. 256- tir54 Bronze medal, from the Paris Mint . Minted around 1980. Usual wear. Engraver / Artist / Sculptor : Marcel C. RENARD (1893-1974) . Dimensions : 68mm. Weight : 180 g. Metal : bronze. Hallmark on the edge (mark on the edge) : cornucopia + bronze. Quick and neat delivery. The stand is not for sale. The support is not for sale. Claude Terrasse, born January 27, 1867 in L'Arbresle (Rhône)1 and died June 30, 1923 in Paris (16th arrondissement)2, is a French composer of operas and operettas. Biography Nicknamed the “prince of French operetta”, Claude Terrasse was considered in his time to be the true successor of Offenbach. Furthermore, like him, he was conductor at the Opéra-Comique in Paris. Claude Terrasse is the son of a silk counter manager in Lyon3. At 13, Alexandre Luigini, the composer of the Egyptian Ballet, took him into his harmony class and made him study the cornet and piano. In 1882, he obtained a first prize in music theory at the Lyon Conservatory and joined the Grand Théâtre as a trumpet player. Two years later he was admitted to the Niedermeyer school in Paris where he prepared for his future profession as an organist3. He began as chapel master at the Abbé Roussel Orphanage in Auteuil. During his military service in Grenoble, he met the painter Pierre Bonnard. In 1890, he married his sister, Andrée Bonnard4. After a few years spent in Arcachon, he became the organist of the Church of the Sainte-Trinité in Paris until 1898. In the meantime, he set to music the piece Ubu roi by Alfred Jarry in 1896. He frequents the artistic circle around the magazines Mercure de France and Revue blanche. This circle participates in and nourishes the artistic world and the literary, theatrical and pictorial avant-garde of their time. In particular, he was very close to Stéphane Mallarmé, Erik Satie and Misia Sert. Several painters, including Bonnard and Auguste Renoir, painted portraits of Claude Terrasse, some of which are exhibited at the Musée d'Orsay and the MET in New York3. In January 1898, with his friend Franc-Nohain, he founded a puppet and puppet theater at 6 rue Ballu, in the workshop adjoining his apartment. On January 20, Ubu Roi was created as a puppet show. A commemorative plaque remembers this event. Then, his works enjoyed great success until the war of 1914-1918 after which musical fashion completely changed. A street bears his name in the 16th arrondissement of Paris. He is buried in the Montmartre cemetery. Works     Long live France!, libretto by Franc-Nohain, Paris, Théâtre des Pantins, Mars 29, 1898.     Panthéon-Courcelles, musical fantasy, libretto by Georges Courteline, Paris, Grand-Guignol, November 2, 1899.     La Petite Femme de Loth, opera buffa in 2 acts, libretto by Tristan Bernard, Paris, Théâtre des Mathurins, 1900.     The Labors of Hercules, opera-bouffe in 3 acts, libretto by Robert de Flers and Gaston Arman de Caillavet, Paris, Théâtre des Bouffes-Parisiens, Mars 7, 1901.     In the time of the Crusades, or Venial Sin, opera-bouffe in 1 act libretto by Franc-Nohain, Paris, Théâtre des Mathurins, 1901.     Chonchette, opera buffa in 1 act, libretto by Gaston Arman de Caillavet, Théâtre des Capucines, April 11, 1902.     The Diver's Bride, opera buffa in 1 act, libretto by Franc-Nohain.     Monsieur de la Palisse, opera buffa in 3 acts, libretto by Robert de Flers and Gaston Arman de Caillavet, Paris, November 2, 1904.     Le Sire de Vergy, opera buffa in 3 acts, libretto by Robert de Flers and Gaston Arman de Caillavet, Paris, Opéra-Comique, April 16, 1903.     Paris or the Good Judge, opera-bouffe in 2 acts, libretto by Robert de Flers and Gaston Arman de Caillavet, Paris, Théâtre des Capucines, Mars 18, 1906.     The Libertine Ingenu, or The Marquise and the Marmiton, gallant tale in 3 acts, libretto by Louis Artus, Paris, Théâtre des Bouffes-Parisiens, December 11, 1907.     Le Coq d'Inde, operetta in 2 acts, libretto by Rip, Paris, Théâtre des Capucines, April 6, 1908.     The Marriage of Télémaque, comic opera in 5 acts, libretto by Jules Lemaître and Maurice Donnay, Paris, Opéra-Comique, May 4, 1910.     Les Lucioles, ballet by Mme Mariquita, Paris, Opéra-Comique, December 28, 1910.     Pantagruel, opera in 5 acts, libretto by Alfred Jarry and Eugène Demolder after Rabelais, Lyon, Grand-Théâtre, January 30, 1911.     Les Transatlantiques, musical comedy in 3 acts, libretto by Abel Hermant and Franc-Nohain, Paris, Théâtre Apollo, May 20, 1911.     Miss Alice des PTT, musical comedy in 3 acts, libretto by Tristan Bernard and Maurice Vaucaire, Paris, La Cigale, December 14, 1912.     Le Tiers-porteur, operetta in 1 act, libretto by Jean Kolb and André de Fouquières, Paris, Théâtre Michel, April 26, 1912.     Monsieur de La Palisse, operetta in 3 acts, libretto by Robert de Flers, Gaston Arman de Caillavet; music by Claude Terrasse; with Polar, Apollo Theater January 24, 1913.     La Farce du poirier, comic opera in 1 act; libretto by André-Ferdinand Hérold, Paris, Théâtre des Bouffes-Parisiens, July 19, 1916.     Manon en voyage comic opera in 1 act, Édouard VII theater, December 27, 1917.     The Sleeping Pig (revision of Le Coq d'Inde), operetta in 2 acts, libretto by Rip and Robert Dieudonné, Paris, Théâtre Michel,     Paris or the Good Judge, opera-bouffe in 2 acts, libretto by Robert de Flers and Gaston Arman de Caillavet, Paris, Théâtre d At 13, Alexandre Luigini, the composer of the Egyptian Ballet, took him into his harmony class and made him study the cornet and piano. In 1882, he obtained a first prize in music theory at the Lyon Conservatory and joined the Grand Théâtre as a trumpet player. Two years later he was admitted to the Niedermeyer school in Paris where he prepared for his future profession as an organist3. After a few years spent in Arcachon, he became the organist of the Church of the Sainte-Trinité in Paris until 1898. In the meantime, he set to music the piece Ubu roi by Alfred Jarry in 1896. He frequents the artistic circle around the magazines Mercure de France and Revue blanche. This circle participates in and nourishes the artistic world and the literary, theatrical and pictorial avant-garde of their t
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